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Basics

Name Ana Llorens
Label Musicologist
Email allorens@ucm.es
Url https://allorens.github.io/

Work

Education

  • 2013.10 - 2018.10

    Cambridge, UK

    PhD
    University of Cambridge
    Music
  • 2011.10 - 2012.06

    Madrid, Spain

    MPhil
    Universidad Complutense de Madrid
    Spanish and Latin-American Music
  • 2009.10 - 2011.06

    Madrid, Spain

    Bachelor's Degree
    Universidad Complutense de Madrid
    History and Sciences of Music
  • 2007.08 - 2008.05

    Bloomington, IN, US

    Postgraduate studies
    Jacob's School of Music, Indiana University
    Performer's Diploma
  • 2005.09 - 2007.06

    Madrid, Spain

    Postgraduate studies
    Escuela Superior de Música Reina Sofía
    Cello Performance
  • 2003.09 - 2005.06

    Madrid, Spain

    Bachelor's Degree
    Real Conservatorio Superior de Música de Madrid
    Cello Performance

Awards

Certificates

Crear Dashboard con R y R Studio para publicar resultados científicos
Universidad Complutense de Madrid 2024-05-27
Diseño con Wordpress
Universidad Complutense de Madrid 2023-06-30
Aprender a manejar R y R Studio
Universidad Complutense de Madrid 2023-02-28
Data Visualization with Python
Universidad Complutense de Madrid 2022-06-30
Using Python for Research
Harvard University 2020-10-18
Data Analysis with Python
Universidad Complutense de Madrid 2019-07-19
Digital Humanities at Oxford Summer School
University of Oxford 2019-06-26
TOEFL
ETS 2013-06-20

Publications

  • 2022.12.15
    Brahmsian articulation: Ambiguous and unfixed structures in the cello sonata op. 38
    Music Theory Online
    Focusing on the selected musicians' manipulations of articulation, this article aims to determine whether this parameter might, along with timing and dynamics, be relevant in the emergence and perception of formal relations. The study also addresses the ways in which formal ambiguity can be materialized, concealed, and created in performance, ultimately investigating how musical form can, on the basis of its performance, be considered as multivalent.
  • 2022.01.01
    Early recorded structures: non-organic forms in Brahms’s cello sonatas as performed by Feuermann and Casals
    Early Sound Recordings: Academic Research and Practice
    Through the analysis of select renditions of the first movements of Brahms’s cello sonatas–by Emmanuel Feuermann and Theo van der Pas (1934) and Pau Casals and Mieczyslaw Horszowski (1936)–this chapter examines how timbre, intonation, and microtiming can also play a role in the creation, projection, and inference of structural relations.
  • 2017.01.01
    Recorded asynchronies, structural dialogues: Brahms’s Adagio affettuoso, Op. 99ii, in the hands of Casals and Horszowski
    Music Performance Research
    Analysis of timing that focused on the magnitude of the asynchronies as well as on tempo curves and durational patterns employed by the performers in this recording has shed light on the effects, purpose, and meaning of those asynchronies. This article illustrates that the temporal discrepancies between the cello and piano parts are neither the result of chance nor only local expressive devices; rather, they are critical elements in a highly distinctive construction of the Adagio Affettuoso from Brahms's Op. 99.

Languages

Spanish
Native speaker
English
Fluent
French
Fluent
German
Intermediate

Interests

Musicology
Music Theory
Music Analysis
Computational Musicology
Performance Studies
Artistic Research
Historical Musicology

References

Professor John Rink
University of Cambridge
Professor Álvaro Torrente
Universidad Complutense de Madrid

Projects